In this regards, Lefebvre calls for new urban strategy(see 154-157) and interestingly cries for the philosophical sense of "art" to help fashioning the practice. As he suggests,
" As necessary as science, but not sufficient, art brings to the realization of urban society its long meditation on life as drama and pleasure."(156)
After grounding the context, he turns to arguing the significance of "the right to the city." To my surprise, he actually parallels “rights to the city” as cry and a demand in the face of the emergence of the pseudo-right, as coined, “the right to nature." As I am concerned, he implicated that people would rather suffer in the city with the hope to find compensation in the nature without dreaming for change our city today. Such cruel comment is given, "
The point for Lefebvre is that the urban environment, “place of encounter, priority of use value, inscription in space of a time promoted to the rank of a supreme resource among all resources, find its morphological base and its practiceo-material realization.”(158) Besides, h
As follows is from the annotated bibliography from "Loose Space" (293)
Lefebvre, H.(1996) Writings on Cities
Lefebvre criticizes the "functional" understanding of both cities and urban spaces, counterposing it to the diversity and creativity of everyday "use value." He notes that throughout history, city centers were not only commercial but also ocncentrations of religious, intellectual, political and economically productive activity. It is in urban spaces that people meet their needs for socialization, representation and play. The diversity of social needs inevitably leads to tension, to the confrontation and negotiation of difference, and also to disequilibrium and unpredictability. This is part of what attracts people to urban space. The book's introduction provides a digestible overview of Lefebvre's ideas and his influences on a later generation of US scholars.